Bloody liability

Sarah Palin, as has been clear for some years now, has an unmatched talent for drawing the spotlight. A week after the infamous ‘blood libel‘ video she’s still at it today, pouring more fuel on a fire which should never have been started. ‘Blood libel’ and the American Right’s shrieking, paranoid victim complex are now a bigger story than the (attempted) murder of Congresswoman Gabrielle Giffords and others at a political rally outside a suburban supermarket. That takes an awful lot of doing.

But she simply doesn’t know when to shut up. Let me be clear: I’m by no means saying that she must shut up, or even that I want her to shut up; nor am I attempting to curtail her First Amendment rights or impinge upon her cherished liberty — let there be no persecution fantasies regarding the humble analysis which is to follow. Palin’s conduct is a matter of political strategy for her PAC, the wider Tea Party movement and ultimately the Republican party. If they want to keep pursuing a strategy which, politically, is a hiding to nothing, then far be it from me to stand in their way. But I am arguing, as are plenty of Republican-oriented strategists, including former Bush advisor David Frum — that as a matter of strategy she should just shut the hell up and resume her place on the fringes of this topic, because there’s nothing to be gained and an awful lot to be lost by continuing to fan these flames. Frum is hardly a bleeding-heart liberal; he invented the ‘Axis of Evil’. He is also Jewish, as is Rep Giffords, so one assumes the misuse of ‘blood libel’ by a renegade WASP like Palin has special salience to him.

Let me also say that Palin and the Tea Party had some right to be angry at the invective levelled at them and their movement in the immediate aftermath of the Tucson shooting. I generally agree with Pablo’s previous points, that Palin and the Tea Party must bear some responsibility for the climate of discourse they have created; but I’d also say that they have not created such a climate on their own. While disproportionately on the elephant side, warlike imagery and symbols of political violence are a commonplace in both camps of US politics. Influential US liberal commentators, notably Keith Olbermann, jumped all too gleefully upon the chance to all but blame Palin (and Beck, etc) for pulling the trigger, although at best there is only a tenuous link between Jared Lee Loughner’s anti-government sentiments and the Tea Party. (Although it is often overlooked that Olbermann’s rant also called strongly upon the American left to repudiate (not refudiate) violence in word and deed). The extent of the speculation and the attempts to pin the murders on Palin and the Tea Party before the dust had settled were unmerited and, as I say, the objects of these accusations were justified in a certain amount of self-righteous indignation.

But one of the defining characteristics of the Tea Party, and of libertarian-oriented small-government revivalist movements in general, is their utter lack of perspective, and Palin simply went too far. These are people who genuinely believe taxation to be armed robbery, after all. So, like the white supremacist who blames all misfortune on immigrants; like the misogynist who bemoans the PC feminazi dykocracy; or the wealthy white elderly Sensible Sentencing Trust supporters who believe themselves to be the most vulnerable victims of crime, when, objectively, the reverse is true — the Tea Partiers and Palin simply can’t see past their own trivial victimisation to the actual and genuine victims of the Arizona tragedy, those who are dead, wounded or bereaved. IrishBill, writing at The Standard recently referred to these sorts as Right Whingers, and the persecution narrative is a feature of modern backlash movements: when elites come under such threat that they feel as if they no longer command the fields of cultural battle, they claim to have been victimised. And they go on and on about it. “Help, help, we’re being repressed!

Nobody likes a whinger or someone who talks a big game but can’t play, especially in US politics. One of the Republican party’s strongest symbolic assets through the latter 20th century has been the sense that it’s a party of rugged individuals with the thousand-yard gaze of their pioneer forebears, while the Democrats are a bunch of preppy sissies with excuses always at the ready. To an extent there’s been some truth to this narrative, but the “all hat and no cattle” label attached to Bush did his party’s political fortunes considerable harm, and Palin has already weakened her own pioneer and Mama Grizzly credentials immeasurably with the now-infamous ‘hunting’ episode of Sarah Palin’s Alaska. In it, despite her claim to being a life-long hunter, she appears unfamiliar with her rifle (“does it kick?”), is unable to chamber her own rounds (daddy does it for her); and takes five shots to hit a large animal standing on a skyline 120 yards away (and then there’s the estimate that a hunting trip in her home state cost $42,000 — not very pioneerish, that).

Likewise, the emergence of the Tea Party and its rather more extreme rhetoric has seen the erosion of the traditional, conservative pioneer narrative in favour of a more excitable tone — perhaps a shift from ‘pioneer’ to ‘revolutionary’ would be the metaphorical change. This shift in itself is not a weakness, except when its less favourable characteristics come to the fore, and it is these aspects of the Tea Party movement which the Democrats and other liberals have been emphasising: its crazed extremes and frightening rhetoric; the cultish, heightened emotionality of leaders like Glenn Beck, which verges on the religious; its lack of concern with details like grammar, factual accuracy and proportion; its brittleness and temporary, ad-hoc nature as opposed to the reliable stability of the Grand Old Party.

By resort to the strident ‘blood libel’ line, Palin has fallen into the trap of confirming — and defending — key aspects of the liberal narrative about her and by extension about her movement: she lacks any sense of perspective or proportion, public decorum or decency or compassion; she is an attention-seeker with a persecution complex who thinks it’s always all about her; she doesn’t know what the terms she uses actually mean; that they’re desperate cranks rather than serious statespeople; and most seriously, that she can dish it out but not take it. This last will be the master narrative going into the 2012 Presidential election, in the increasingly unlikely event that Palin is the nominee, and Democrats and liberals the world over relish the prospect of a proven big-game player like Obama against a scattergun show-pony like Palin.

The decision to release and then defend the ‘blood libel’ video is a double tragedy for the Republican party, who took a strong lead in the November mid-terms, and have now missed the best opportunity in a decade to consolidate that lead by looking like the calm, sober, conservative adults they claim to be and to represent. Palin’s decline may be better for them in the long term; many commentators are now confirmed in the belief they held before the mid-terms that she had outlasted her usefulness as an energising agent, and is now simply a liability, a distraction from the serious business of government to which the GOP must now turn its attention.

L

On a lighter note: Machine of Death

Not that the Rolling Stones have destroyed us — I mean, you can’t always get what you want. You know what I’m saying? Brown sugar. I have no idea what that means.  -- Glenn Beck, The Glenn Beck Program, October 27, 2010

On 26 October 2010, the guy who writes the marvelous Dinosaur Comics and a bunch of others self-published a book (because nobody would publish it for them) of short stories based around the idea of a machine which could tell you how you would die. The book is called Machine of Death. They happened to choose October 26 as the publication date without knowing that Glenn Beck’s latest tome of dangerous absurdities with the suitably loony title “Broke: The Plan to Restore Our Trust, Truth and Treasure was to be released on the same day. While it’s nice that Machine of Death pipped Beck’s book in the amazon.com sales rankings on opening day (proof), what’s most wonderful about this little episode is that it so incensed Glenn Beck that he had a wee rant about the book on his widely syndicated radio programme. It’s so gloriously insane, there’s nothing to do but quote it in full:

And I want to tell you that, um…our books are ALWAYS #1. And I find it REALLY fascinating, FASCINATING, that if you go to Amazon.com, Broke is number THREE. And the two books that are ahead of it — one is Keith Richards’ Life, which is getting a TON of — you know, that’s everywhere.
But this is a book about, you know, how he snorted his father’s ashes, after death. (sarcastically) THAT’S cool. This is the SDS [Students for a Democratic Society] book. This is for all of the — this is for [union leader] Andy Stern who’s all, I guarantee you he’s on the phone and has been the last few days, you know, with people like, you know, Bill Ayers going “All right, DUDE! Ah, do you remember when we were rolling around in the mud like animals? Remember that? This guy was smoking ash — you know, smoking his dad, and, and, popping stuff into his veins? Ah, those were the DAYS, man.” And then William Ayers was like, “Whaddaya mean, those were the days? I’m still doin’ that stuff, man!”
So that… “culture of death.” And it’s an escape into the past, of, you know, the Woodstock stuff.
And then, the #1 book — TODAY, at least — is Machine of Death. And it’s a — collected stories about, you know, people who know how they’re gonna die. Haowww!
So you have DEATH — I know it’s called Life, but what a life it is, really! It’s a culture of death! OR, “How do we restore ourselves?”
These are the — this is the left, I think, speaking. This is the left. You want to talk about where we’re headed? We’re headed towards a culture of death. A culture that, um, celebrates the things that have destroyed us. Not that the Rolling Stones have destroyed us — I mean, you can’t always get what you want. You know what I’m saying? Brown sugar. I have no idea what that means.
— Glenn Beck, The Glenn Beck Program, October 27, 2010

This, as if it needs to be said, is the other side of the Angel of Death ad I wrote about the other day; what happens if the font of inchoate hatred which powers the Tea Party movement isn’t carefully channeled through propaganda wizards and filmmakers and spin doctors. Wonderful. Frightening.

L

Performance art

Listening to Tao Wells’ stone-cold crazy performance on Radio New Zealand’s The Panel this afternoon (audio, starts at about 19:30) it’s pretty clear that the whole thing is simply a continuation of The Beneficiary’s Office, his performance art project.

I’m not sure what the endgame is, beyond driving publicity for Wells and ‘The Wells Group’, the self-styled PR agency running The Beneficiary’s Office. But fundamentally this is the only explanation for the character who fronted The Panel. The studied eccentricity of his characterisation and rhetoric — the Leninesque styling and cheap, ill-fitting suit; the suggestion that he might replace Paul Henry on Breakfast, using the scandal du jour as a springboard for publicity; the incoherent, aggressive, entitled, self-indulgent indignant victimhood of his media presence — he is exploiting the fourth wall illusion, the audience’s naïve impression that they’re separate from the performance; that the show stops at the proscenium arch. To do so Wells is reading from the big book of Glenn Beck and Sarah Palin. His project is a little bit of inchoate Tea Party wingnuttery turned back on an issue so close to the wingnuts’ hearts that they can’t see the mockery in it. No matter that his actual argument doesn’t bear the slightest bit of rational scrutiny and is all but completely obscured by his outrageous delivery — this isn’t the point. The point is to suck people in and involve them in the performance by lighting the flame of their hatred. To make them attack the tar-baby. As Palin’s own idol Ann Coulter said, paraphrasing Joseph Göbbels and George Orwell in her diatribe Slander: “Any statement whatever, no matter how stupid, any ‘tall tale’ will be believed once it enters into the passionate current of hatred.”

So to everyone who’s found themselves incandescent with righteous fury, uttered slogans like “the world doesn’t owe you a living!” or called for the disestablishment of Creative NZ or defended Wells and his absurdist position — this includes the media who’ve covered it from the ‘benefit scandal’ angle; obviously WINZ, who’ve cut his benefit; and most notably David Farrar and the KBR, whose response has been nothing short of magnificent — you’re part of the show. You have been trolled.

So as far as that goes, well done, Tao Wells.

L

Back away slowly

Update: This post was a response to an attack on me by Chris Trotter. Since it was published, Chris has graciously apologised for writing it, and for the general bad blood between us. He has deleted the post from Bowalley Road, and I give him my hearty thanks for the reconsideration.

I have also been culpable in this rather nasty exchange, which stretches back almost a year. For that part in it I, too, must apologise. While I retain strenuous objections to Chris’ political positions (as I’m sure he does to mine) these needn’t have become personalised, and are better discussed calmly as befits reasonable adults. While they may yet prove intractable, it should be possible for people in a free society to hold irreconcilable differences and yet remain civil. Much heat, and too little light, has emerged from this meeting of political minds, but I think there is potential for future engagement between Chris and I based on some sort of goodwill and tolerance rather than upon vituperation and political posturing, and I will do what I can to cultivate it.

While Chris has deleted his post, I do not believe in tampering with the historical record in that way. While I might regret things I’ve said, I won’t pretend I didn’t say them. And so the content of my response remains below the fold. It should be read with the subsequent context and this apology (and pledge to more constructive engagement in the future) very firmly in mind. In fact, the most worthwhile thing by far to emerge from the dispute is an unexpectedly useful discussion led by commenter “Ag” on the nature of class consciousness and electorate rationality: I commend that discussion, rather than the post from which it emerged, to the KP readership.

L

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