Archive for ‘Media’ Category
So, the National Business Review has decided to (partially) monetise its interweb presence.
In a rather petulant letter, publisher Barry Colman takes aim at the enemies of journalism and backs his team to be able to make a paid content model work where very few have done so before, and never in such a tight and competitive media ecology as we have in NZ.
Good luck to them. Unfortunately, blaming competitors (yes; bloggers are competitors for reader time and attention) for the (slow) failure of one’s business never made the business suddenly work better, and this sort of competition-blaming is typically the refuge of people who believe they have an ordained right to profits. As Dan Conover says:
(Conover has links in his post, which you can follow if you go there. He was a newsman; now he’s a blogger. Go figure.)
Blame anyone except the industry itself for failing to sufficiently move with the market. But perhaps that’s what Barry Colman thinks he’s doing. There are good reasons behind the decision, chief among which is the importance of maintaining a strong and well-resourced newsgathering apparatus. He’s aware that a move to a pay model needs to be accompanied by a dramatic increase in quality, and posits the fairly reasonable idea that people will pay for it.
The trouble with artificial scarcity is partly highlighted by Cactus Kate:
Good question. If you withhold your best content from the market, you’re cutting off your nose to spite your brand. The imperatives which drive your business conflict: you want to put your best content in front of as many people as possible because it’s the best content (not the ordinary content) which drives your readership and reputation; by locking it away, you hide your light under a bushel so few people know about it, and even if people chance to find out about it (from those relatively few who do have a subscription) then they can’t access it anyway. This is not the way to become a news or commentary source of record. And if you don’t, And if you don’t put your best content up there, then what are you offering again?
At best it seems like this model will rob Peter to pay Paul – that is, the NBR’s ordinary content (and readership) will suffer for the benefit of those few subscribers. This is also what online commenters the NBR site seem to think, and online opinion is predictably scathing.
There has to be a better way.
Edit: I should add that artificial scarcity can potentially work if the content is strong enough. Fairfax’s Australian Financial Review is probably the best daily newspaper in Australasia, and because of its exceptional content, extremely strong commitment to journalistic practice and authoritative market position it is able to dictate such strict terms of access that it causes major headaches for media analysis companies, archivers and researchers. The AFR has no real competition, and that’s what enables it to call the shots. But the NBR is not the AFR – nowhere near, more’s the pity.
… to reuse a proper old-fashioned consonant headline.
This Stuff title could have read “Bigger than Potter”, to better match the more-famous misquote of Lennon’s statement about Jesus, or better yet, could have stolen the headline best employed by the promoters of Twilight: Hotter than Potter, because ultimately that’s what this story (and image) are about: Emma Watson as the new see-brainy-girls-are-hot-too icon.
The choice of secondary image in the story itself (at right) possibly hints at a different characterisation: quirky, awkward-but-in-a-cute-way, ordinary, unthreatening.
Watson might have better career prospects according to her fans but I reckon Daniel Radcliffe, by taking on serious and apparently demanding adult roles such as Equus, has made stronger moves to avoid ending up typecast.
It seems that life after Potter will be easily more interesting than the series itself.
This morning’s Insight documentary on NatRad
Kim Griggs’ journalistic technique is fine – she’s talked to the major stakeholders, given both sides of the story and generally done very well at covering the issues. But she’s labouring under a delusion about what copyright grants. Specifically, she says:
My emphasis. But there is no copyright law anywhere which grants creators a right to get paid – all they have is the right to control the exploitation of their work, and if they can turn that into payment, then good on them. In the documentary John Key also makes this error, conflating “compensation and recognition” into the right to get paid.
It’s this false idea – that copyright owners have an inherent right to be paid regardless of how broken their business model might be – which prevents the development of better business models which mean they don’t need to treat their customers like the enemy in order to make money. Even the copyright lobby accepts this; they’re just so far behind the curve that their old models have failed before their new models are even off the drawing board. Of course, if they want to keep applying the stick, rather than employing the carrot, that’s their right.
Edit: Kim Griggs has emailed me to outline her extensive experience and expertise in the copyright industry in NZ, and Pippa makes many of the same points in a comment. On that basis I have apologised to Kim for the statement above about her expertise, and for suggestion she was fooled by the copyright lobby.
Nevertheless, my broader criticism stands: the statement I highlighted is wrong in fact and is unhelpful to the cause of reasoned debate because it blurs issues around economic rights, moral rights, contract law and industry practice into a blank statement that copyright == money.
I’ve offered Kim an opportunity to put her case here, if she chooses.
Such as, would either (any?) of the women who alleged sexual harassment by Richard Worth have gotten away with pleading manslaughter if they’d killed him in response to his sexual advances?
Your s59 referendum decision-making flow-chart is a thing of beauty.
Lynn has linked through to us while The Standard is down – thanks. I won’t have time today to put much up, so in order that you’re not disappointed by the relative lack of content, here are a few other unusual suspects worth your attention:
Add your own unusual suspects in comments, if you like.
[If anyone has a post they'd like us to put up please email us (kiwipolitico @ kiwipolitico.com) and we'll get it posted! Anita]
They appear to only have one tactic, and they’re using it again. Last night’s Media 7 had a segment on Lynton Crosby’s recently aborted defamation action against Nicky Hager. Media 7, being responsible journalists, asked Lynton Crosby if he would like to come on the show, his response was a nasty gram through his lawyers threatening yet more legal action and heavying TVNZ into not discussing the case.
It’s nice to know the kind of people John Key chooses to take advice from
… is that they tend to beget stupid answers. Or at least unexpected answers.
Via James at Editing Teh Herald, it seems the UK’s Daily Mail (whose egregious abuses of truth and decency are legend) has gotten bit by this simple truth, with an online poll receiving a response 96% in the affirmative to the question “Should the NHS allow gipsies to jump the queue?” The Daily Mail, bless ‘em, wouldn’t stand for this and it now shows 100% in the negative.
Now, I’m not saying that the s59 poll is that insultingly loaded, and obviously we can’t use twitter to vote in referenda, but groups like The Yes Vote are counting on people being similarly insulted by the dishonest and misleading question that they’ll consider how the framers clearly want people to vote and vote the reverse in order to demonstrate that they don’t appreciate being treated like democratic cattle to be herded in the direction the lobby wants.
So here’s another meaningless poll: have the AAS lobby over-egged their question?
A few thousand primary school kids, dressed mostly in high-visibility gear and carrying (or wearing) makeshift traffic cones, lollipop signs and banners, have just marched through Wellington CBD escorted by police motorcyclists, ambulances and led by a highland band (bagpipes and all).
I work in a media office. Most of us spend hours every day scouring the news as it comes in – on paper, over the airwaves and on the interwebs – as a matter of our daily work. Not one of us had the faintest inkling what the march beneath our window was about, who had organised it or what end it aimed to achieve. We guess from the (excellent) adornments worn by the wee nippers and their guardians that it’s to do with proposed speed limit reductions around schools. But that’s just a guess.
Whoever organised this has achieved a remarkable feat: coordinating thousands – ok, maybe it was hundreds – of kids (which is like herding cats), gaining approval from their parents, the police, the City Council and signing up a marching band, without anyone in our esteemed media establishment hearing a word about it. That person should probably be put in charge of corporate communications for a big company or government department with a lot of bad news – one of the power companies, perhaps, or a trading bank.
Incidentally, if school speed limits is the cause being protested, then I fully support it. There’s a school near where I live which is at the bottom of a 70k/h hill, and the thought of sending their precious dear things down that road each day must give local parents conniptions. I have it on good authority that the local AOS sergeant, who has a kid at the school, spends his off hours parked up there issuing tickets in addition to his ordinary policing workload. Not ideal.
Posted on 10:02, June 16th, 2009 by Lew
The BSA has upheld a complaint against TVNZ’s Breakfast on the grounds of balance after it allowed Garth McVicar the free and unopposed opportunity to rant about sentencing.
Complainant Roger Brooking argued that the programme privileged “the reactionary views of an unqualified right wing individual as if he was the oracle on sentencing law”, and that the show’s hosts were unduly sympathetic toward him. The authority upheld the complaint on the grounds that Breakfast producers and interviewers failed to challenge or question McVicar’s “controversial” views, simply accepting them at face value, and internalising them for use as a frame for viewer responses.
This is an excellent decision, for a couple of reasons. First, it reinforces the expectation that the media have a responsibility not to naïvely accept the statements of their commentators or interviewees; that the interview process ought to be adversarial. Secondly, it provides a line in the sand as to what constitutes a controversial topic of public discourse, by implicitly agreeing with Brooking’s characterisation of McVicar and his pronouncements. It goes counter to some previous decisions, such as the rather alarming case last year in which the authority effectively declared that talkback was legitimately a balance-free zone.